The Globalized Chinese Science Fiction

作者: 发布时间:2022-10-26 来源:复旦发展研究院+收藏本文

图片


主题


The Globalized Chinese 

Science Fiction

时间

Nov. 1  18:15-19:00(Beijing)

Nov. 1  12:15–13:00(Oslo


地点

Litteratursalongen, University of Oslo

线上参会链接:https://uio.zoom.us/j/66882737985


主办方

Humanities and Social Sciences Library,

Department of Culture Studies and Oriental Languages,

Fudan-European Centre for China Studies


内容介绍

Chinese science fiction has become a cultural phenomenon sweeping around the whole world in recent years. With the huge success of Liu Cixin’sThe Three Body Trilogy, both domestic and international attention has been drawn to this genre, which used to be “a hidden lonely army”.In this talk, Regina Kanyu Wang provides you with “Chinese Science Fiction 101”, going through its history and introducing the names that you should know. She will also focus on translation, and provide an overview of how Chinese science fiction goes abroad and what’s available in English. Finally, she will analyze why Chinese science fiction has been so popular globally in recent years, looking at not only the literature but also the whole eco-system. Her argument is that combined efforts from various cultural forces have shaped Chinese science fiction as it is today and that understanding the globalization of Chinese science fiction is as important as understanding its “Chineseness”.


主讲人介绍

Regina Kanyu Wang isa writer, researcher, and editor, currently pursuing her PhD under the CoFUTURES project at the University of Oslo. She writes science fiction, nonfiction and academic essays in both Chinese and English. She has wonmultiple Xingyun Awards for Global Chinese SF (Chinese Nebula), SF Comet International Writing Competition, Annual Best Works of Shanghai Writers’ Association and more. Her stories can be found in her individual collections Of Cloud and Mist 2.2 andThe Seafood Restaurant, various magazines, and anthologies. Her critical works can be found inVectorModern Chinese Literature CriticismWenyi Daily, and forthcoming in Routledge Handbook of CoFuturisms. She has co-editor the Chinese SF special issue ofVectorThe Way Spring Arrives and Other StoriesNew Voices in Chinese Science Fiction, and the English version of The Making of The Wandering Earth: A Film Production Handbook.